Science and Twentieth Century music. The Twentieth Century, 168, 457-467, 1960.
Composers or computers? The Listener, 65, 785--786. 1961.
Freedom and constraint in creatitivity. In Sternberg, R.J. (Ed.) The Nature of Creativity. New York: Cambridge University Press.
Rhythm and meter: A theory at the computational level. Psychomusicology, 10, 88-106, 1991.
Jazz improvization. In Howell, P., West, R, and Cross, I. (Eds.) Representing MusicalStructure. London: Academic, 1991.
How jazz musicians improvise. Music Perception, 19, 415-442, 2002.
Johnson-Laird, P.N., & Oatley, K.J. Emotions, music, and literature. In Lewis, M., Haviland-Jones, J., and Feldman-Barrett, L.F. (Eds.) Handbook of Emotions, third edition. NY: Guildford Press, in press. |
Memorials for String Orchestra
Memorials I Largo.mov
Memorials II Scherzo.mov
Memorials III March.mov
Memorials IV Pastoral.mov
Modern Jazz Pieces
Mingus Cat.mov
News from Nowhere.mov
Slow Swell.mov
The Clique.mov
Piano Pieces for Six Fingers
Thirds.mov
Boogie Woogie 231.mov
Two Part Invention.mov
La Waltz.mov
Little Fugue.mov
March of the Minor Triads.mov
String Quartet
Allegro08.mov
Very Fast08.mov
Largo08.mov
TheBlues08.mov
The Waves Suite
Buoys.mov
White Horses.mov
Seaside.mov
Deep Wreck.mov
Wakes.mov |
