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> Philip Johnson-Laird
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My work on music consists in compositions, publications on the psychology of music, and teaching the undergraduate course Psy 308/ Mus 304 Psychology of Music.
PUBLICATIONS
COMPOSITIONS
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Science and Twentieth Century musicThe Twentieth Century, 168, 457-467, 1960.

Composers or computers? The Listener, 65, 785--786. 1961.

Freedom and constraint in creatitivity. In Sternberg, R.J. (Ed.) The Nature of Creativity. New York: Cambridge University Press.

Rhythm and meter: A theory at the computational level. Psychomusicology, 10, 88-106, 1991.

Jazz improvization.  In Howell, P., West, R,  and Cross, I. (Eds.) Representing MusicalStructure. London: Academic, 1991.

How jazz musicians improvise. Music Perception, 19, 415-442, 2002.

Johnson-Laird, P.N., & Oatley, K.J. Emotions, music, and literature. In Lewis, M., Haviland-Jones, J., and Feldman-Barrett, L.F. (Eds.) Handbook of Emotions, third edition. NY: Guildford Press, in press.

Memorials for String Orchestra

Memorials I Largo
Memorials II Scherzo
Memorials III March
Memorials IV Pastoral

Modern Jazz Pieces

Mingus Cat
News from Nowhere
Slow Swell
The Clique

Piano Pieces for Six Fingers

Thirds
Boogie Woogie 231
Two Part Invention
La Waltz
Little Fugue
March of the Minor Triads

String Quartet

Allegro08
Very Fast08
Largo08
TheBlues08

The Waves Suite

Buoys
White Horses
Seaside
Deep Wreck
Wakes

Venetian Reflections

Night on San Giorgio Maggiore
The Spandrels of San Marco
The Tombs of San Michele
Londra Palace and the Riva

 

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